Beatrice Palazzetti, bright and well educated, gets to art after a period of testing and experimentation of all the painting techniques and of new materials; her art expression grows up through big paintings in which she reveals her intimate part with delicate colours and shapes.
Her public progress begins together with a group of other artists with exhibitions connected to classical music concerts promoted in settings linked to the Conservatory of Santa Cecilia. She continues her artistic path further on until she gets to corporate and, afterwards, to individual exhibitions in Florence.
Furthermore, she tries her skills by testing techniques of engraving and facing, with a deep care, the study of human body at the “Free School of Nude – Academy of Fine Arts of Rome”.
Beatrice Palazzetti does not conform her art to the commercial pictorial tastes; on the opposite, she shows herself as an educator of modern art, so that she offers to the observer those emotions that the observer itself is able to catch.
She has reached an expressive freedom through a cautious balance. This Freedom is clearly visible through a refined intelligence in her paintings, and it allows the observer to be in a state of mind of freedom and fantasy that very few artists are able to provoke.
Boezio Balestrelli
Professor of Academy of Fine Arts of Rome

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